That’s How Strong My Love Is has a long history in Billie’s dream of covering this song. She first sang it at a very young age at an open air festival in Berlin and the entire audience jumped out of their seats to scream and applaud. This was such a seminal moment for Billie that she never lost the dream of recording this song exactly the way she sang it then. A Rolling Stones hit, of course, Billie arrived one day from the airport, entered Hackney Road Studios and in a couple of takes hollered like she’d gone insane - and that was that. Dream accomplished.
from The Soul Tapes
released May 13, 2016
‘The Soul Tapes’ was produced by Jon Tiven and Billie Ray Martin. Recorded at Studio 900 Broadway, NYC. Engineered by Joe Johnson.
Additional vocals and instruments recorded at Hackney Road Studios, London. Engineered by Steve Honest. Mixed by Billie Ray Martin and Steve Honest at Hackney Road Studios, London.
Guitar by Jon Tiven. Bass by Sally Tiven. Drums by Simon Kirke except ‘One Way Street’ by Francesco Lucidi. Piano by Mark Berman except ‘One Way Street’ by Jon Tiven. Organ by Felix Huber except ‘Strongheaded Woman’ by Mark Berman. Harmonica on ‘Skin On The Wheel Of Time’ by Mason Casey.
All songs written by Billie Ray Martin, Jon Tiven and Sally Tiven except ‘Your Ghost Is Right Behind Me’ written by Billie Ray Martin and Melvin Duffy, ‘That’s How Strong My Love Is’ written by Roosevelt Jamison, ‘One Way Street’ written by Ann Peebles and Don Bryant.
Billie Ray Martin published by Billie Ray Martin (PRS, GEMA, BMI). Jon Tiven published by Uncontrolled Compositions (BMI). Sally Tiven published by Full Rate Music (ASCAP). Melvin Duffy published by Copyright Control. Roosevelt Jamison published by Three Wise Boys Music/Rise Music. Ann Peebles published by Irving Music/Warner Chappell. Don Bryant published by Irving Music/Warner Chappell.
Special thanks to Paul Brewer at Sweet Feet Music, Sophie Nicole Ellision, Caesar Gergess, Steve Honest, Antonio Lerario, Philip Marshall, Mark Moore, Mark Robertson, Bradford Shellhammer and everyone else who’s been so kind, helping and supporting me each day. I’m humbled and grateful.
Photography by Joern Hartmann. Designed in January 2016 by Philip Marshall.